The Evangelical Universalist Forum

The Larger Hope by Alfred Lord Tennyson

I ran across this recently.

It’s excerpted from the long poem In Memoriam, by Alfred Lord Tennyson:

"Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;

That nothing walks with aimless feet;
That not one life will be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;

That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another gain.

Behold, we know not anything;
I can but trust that good shall fall
At last – far off – at last to all,
And every winter change to spring.

So runs my dream; but who am I?
An infant crying in the night;
An infant crying for the light,
And with no language, but a cry.


I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,

I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope."

Ol’ Tennyson kind of sounds like a hopeful Universalist, don’t you think? :wink:

Wow! You’ve made my day Ed!
I absolutely LOVE Anne Bronte’s ‘Word to the Elect’ , but now I can add this ‘Larger hope’ from ALT.
Cheers!

Welcome bro :smiley:

That’s lovely Matt -

‘Tis a fine poem from the melancholy bard of mid Victorian gloom which explores the poet’s grief at the death of his friend ‘AH’ – that leads him to contemplate loss of faith, temptation to despair, and ‘nature red in tooth and claw’; although ultimately it is a poem of hope reborn with the New Year bells. It was a huge hit with the mid-Victorians – it obviously struck a chord.

Tennyson was a friend of our own dear George Macdonald who wort ethis poem about ‘In Memoriam’:

Dear friend, you love the poet’s song,
And here is one for your regard.
You know the “melancholy bard,”
Whose grief is wise as well as strong;

Already something understand
For whom he mourns and what he sings,
And how he wakes with golden strings
The echoes of “the silent land;”

How, restless, faint, and worn with grief,
Yet loving all and hoping all,
He gazes where the shadows fall,
And finds in darkness some relief;

And how he sends his cries across,
His cries for him that comes no more,
Till one might think that silent shore
Full of the burden of his loss;

And how there comes sublimer cheer—
Not darkness solacing sad eyes,
Not the wild joy of mournful cries,
But light that makes his spirit clear;

How, while he gazes, something high,
Something of Heaven has fallen on him,
His distance and his future dim
Broken into a dawning sky!

Something of this, dear friend, you know;
And will you take the book from me
That holds this mournful melody,
And softens grief to sadness so?

Perhaps it scarcely suits the day
Of joyful hopes and memories clear,
When love should have no thought of fear,
And only smiles be round your way;

Yet from the mystery and the gloom,
From tempted faith and conquering trust,
From spirit stronger than the dust,
And love that looks beyond the tomb,

What can there be but good to win,
But hope for life, but love for all,
But strength whatever may befall?—
So for the year that you begin,

For all the years that follow this
While a long happy life endures,
This hope, this love, this strength be yours,
And afterwards a larger bliss!

May nothing in this mournful song
Too much take off your thoughts from time,
For joy should fill your vernal prime,
And peace your summer mild and long.

And may his love who can restore
All losses, give all new good things,
Like loving eyes and sheltering wings
Be round us all for evermore!

:slight_smile:

Wow, that’s cool :slight_smile: Thanks for sharing Prof :slight_smile:

Hi Matt :slight_smile:

As you say, In Memoriam s ia very long poem. In the poem articulated grief makes the poet’s mind turn on the deep down things of hope and despair. I thought I’d just give a selection of some other stanzas:

These stanzas speak eloquently of the sharpness of grief – where familiar things (including Christmas - most poigniantly) evoke the ‘presence of the absence’ of the loved one who once shared these with the poet.

**Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,

A hand that can be clasp’d no more—
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.

He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.

With such compelling cause to grieve
As daily vexes household peace,
And chains regret to his decease,
How dare we keep our Christmas-eve;

Which brings no more a welcome guest
To enrich the threshold of the night
With shower’d largess of delight
In dance and song and game and jest?**

The following stanzas appealed - and still do appeal - to those troubled by scientism’s hopeless creed -

**I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;

Not only cunning casts in clay:
Let Science prove we are, and then
What matters Science unto men,
At least to me? I would not stay.

Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was born to other things.**

These stanza’s tell of the return of hope (Ring in the Christ that is to be!’)

**Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind,
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.**

And in these – the final two stanzas – Tennyson muses that his friend for whom he mourns in hope, has become, for him a prefiguration of the healing of time in eternity, when God will be all in all.

**Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,

That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.**